The semantics of language: the fetishisation of product.

The unifying factors of Henry Farr’s songs are energy and intensity - from the exultant pop melodies of ‘You Took Me Across The Floor’ and ‘We Dress Out’, to the restless metres and hyperactive strum of the caustic ‘Achilles Heel (Of Progress)’. The directness of these songs is typically borne from or describes conflict. {Mike Barnes, author of 'Captain Beefheart' and 'A New Day Yesterday: UK Progressive Rock & The 1970s'}